{"id":26,"date":"2016-02-10T05:51:51","date_gmt":"2016-02-10T04:51:51","guid":{"rendered":"http:\/\/lifesizeuniverse.com\/news\/?page_id=26"},"modified":"2024-10-06T12:40:27","modified_gmt":"2024-10-06T10:40:27","slug":"history","status":"publish","type":"page","link":"https:\/\/lifesizeuniverse.com\/news\/history\/","title":{"rendered":"Rui Ishihara :: History"},"content":{"rendered":"

Participation in projects\u00a0– selection<\/span>
(as a dancer\/performer\/choreographer)<\/p>\n

2021<\/span>
\u00ab Who are you? – based on Ordo Virtutum by Hildegard of Bingen \u00bb directed by Jaros\u0142aw Kilian, Teatr Lalka in Warsaw<\/span>
\u00ab Rinaldo (by G. F. Haendel) \u00bb directed by Jaros\u0142aw Kilian, The Polish Royal Opera<\/span><\/p>\n

2019
\u00ab Mikroelementy Chaosu (Micro-elements of Chaos) \u00bb with Krzysztof Guzewicz, Natalia Czeka\u0142a, \u0141ukasz Korybalski and other musicians, Slot Art Festival (Lubi\u0105\u017c, Poland)
\u00ab Patuanu – time of darkness \u00bb directed by Katarzyna Kazimierczuk, Teatr Remus<\/span><\/p>\n

2017 – 2018<\/span>
\u00ab G\u0142os Ludzki (La voix humaine)\u00a0\u00bb directed by Maja Kleczewska, Grand Theatre – National Opera in Warsaw
\u00ab W\u015bciek\u0142o\u015b\u0107 (The Rage) \u00bb directed by Maja Kleczewska, Teatr Powszechny im. Zygmunta H\u00fcbnera
\u00ab Darkness\u00a0\u00bb choreographed and directed by Izadora Weiss, Grand Theatre – National Opera in Warsaw<\/span>
\u00ab Brokatowy Pejza\u017c (Brocaded Landscape)\u00a0\u00bb directed by Katarzyna Kazimierczuk, Teatr Remus<\/span>
\u00ab Rangoli\u00a0\u00bb adapted from “Ramayana”, directed by Katarzyna Kazimierczuk, Teatr Remus<\/span><\/p>\n

2016<\/span>
\u00ab Katmai Kabuki Haiku Hejt \u00bb directed by Katarzyna Kazimierczuk, Teatr Remus<\/span><\/p>\n

2015 – 2017<\/span>
\u00ab Kantor_Tropy: COLLAGE \u00bb directed by Katarzyna Pastuszak, Teatr Amareya<\/span><\/p>\n

2013 – 2015<\/span>
\u00ab Obsesja \u00bb directed by Katarzyna Kazimierczuk, Teatr Remus<\/span><\/p>\n

2013 – 2014<\/span>
\u00ab La Barbe Bleue (The Blue Beard) \u00bb directed by Lucile Floreal, Company La Langue Merveille<\/span><\/p>\n

2011 – 2012<\/span>
\u00ab \u0141agodna (A Gentle Creature) \u00bb adapted from Fyodor Dostoevsky’s short story, directed by Dariusz Kunowski, Scena Lubelska 30\/32<\/span><\/p>\n

2011
\u00ab Lunatix \u00bb directed by Sylwia Hanff,\u00a0Teatr Limen, Warsaw<\/span><\/p>\n

2010<\/span>
\u00ab Opowie\u015bci o kobiecie kt\u00f3ra tanczy\u0142a (Stories about a woman who danced) \u00bb directed by El\u017cbieta Jab\u0142o\u0144ska, Warsaw<\/span><\/p>\n

2007<\/span>
Exhibition \u00ab Fertilism \u00bb curated by Tero Nauha, Rantakasarmi gallery, Suomenlinna, Helsinki<\/span><\/p>\n

2001 – 2002<\/span>
\u00ab HAN-PUKU \u00bb directed by Takeshi Yazaki, Company Arrow Dance Communication, Kyoto<\/span><\/p>\n

\u00a0<\/p>\n

Performances<\/span>
(as a dancer\/choreographer, if not specified)<\/span><\/p>\n

2017<\/span>
\u00ab mimiosumasu (\u307f\u307f\u3092\u3059\u307e\u3059) \u00bb, Segovia (5th International Dance Symposium of IDC)<\/span><\/p>\n

2012<\/span>
Director in a mime performance \u00ab Hana Shizuka (Silence of flowers) \u00bb with Neiro (mime), Warsaw, Yokohama<\/span><\/p>\n

2011<\/span>
\u00ab ulotnych cieni (fading shadows’) \u00bb with Duo Sol et Luna, Teatr na Woli, Warsaw<\/span><\/p>\n

2010<\/span>
\u00ab Hana no Atosaki (\u82b1\u306e\u3042\u3068\u3055\u304d) \u00bb, Muzeum Pa\u0142ac w Wilanowie, Warsaw<\/span><\/p>\n

2009<\/span>
\u00ab tsuki-moribito, hi-moribito (\u6708\u5b88\u4eba\u3001\u65e5\u5b88\u4eba) \u00bb with Andreas C. Meier, W\u00e4denswil (Switzerland)<\/span>
\u00ab uta no sasagemono \u00bb, Pozna\u0144<\/span><\/p>\n

2008<\/span>
\u00ab Hounen-matsuri Kanademai (\u8c4a\u5e74\u796d\u594f\u821e) \u00bb with Uwe Walter, Kyoto<\/span><\/p>\n

2006-2007<\/span>
\u00ab uta no sasagemono \u00bb, Helsinki, Gda\u0144sk, Warsaw, Szczecin, T\u00fcbingen, Kyoto<\/span><\/p>\n

2003<\/span>
\u00ab ku-dai \u2013\u7a7a\u984c\u2013 \u00bb, Kyoto Art Center<\/span>
\u00ab pour mes vieux amis, en signe d\u2019amour \u00bb, Shiga Jozo (former sake factory), Kyoto<\/span><\/p>\n

2002<\/span>
Trilogy \u00ab life size universe \u00bb in the related program of the exhibition \u201cKANDINSKY\u201d in National Museum of Modern Art, Kyoto<\/span><\/p>\n

\u00a0<\/p>\n

Improvisations – selection<\/span><\/p>\n

2021<\/span>
\u00ab Przestrze\u0144 si\u0119! – Look! You, as a little child, run up to us \u00bb with Saba Krasoczko (music) and Dariusz Kunowski (light), Warsaw (<\/span>Butohpolis – 3rd International Butoh Art Festival)<\/span><\/p>\n

2018
\u00ab Kanademai \u00bb, Akita (ASIA TRI Akita, 2nd Senshu Art Festival 2018)
\u00ab Przestrze\u0144 (Space) \u00bb with Saba Krasoczko (music) and Dariusz Kunowski (light), Scena Lubelska 30\/32, Warsaw
\u00ab Przestrze\u0144 II (Space II) \u00bb with Mieczys\u0142aw Litwi\u0144ski (music) and Dariusz Kunowski (light), Scena Lubelska 30\/32, Warsaw<\/span><\/p>\n

2017<\/span>
\u00ab Sakura na stepie (Sakura on the steppe) \u00bb with\u00a0Aidys Norbu and Magura, Scena Lubelska 30\/32, Warsaw<\/span><\/p>\n

2011<\/span>
\u00ab Sound in Motion \u00bb with Flut O\u2019Clock, Warsaw (\u201cIII Japo\u0144ska Wiosna w Warszawie\u201d Festival)<\/span>
\u00ab mimiosumasu – nastawianie ucha \u00bb with Duo Sol et Luna, W\u0119gajty (Poland) (IX Wioska Teatralna Festival)<\/span><\/p>\n

2010<\/span>
\u00ab mimiosumasu (\u307f\u307f\u3092\u3059\u307e\u3059) \u00bb solo version<\/span>
\u00ab mimiosumasu (\u307f\u307f\u3092\u3059\u307e\u3059) – nastawianie ucha \u00bb with Duo Sol et Luna, Warsaw (\u201cII Japo\u0144ska Wiosna w Warszawie\u201d Festival)<\/span><\/p>\n

2009<\/span>
\u00ab Kappa \u2013\u559d\u7834\u2013 \u00bb with Radek Duda, Warsaw<\/span><\/p>\n

2008<\/span>
\u00ab hospitality for darkness \u00bb with Jassem Hindi, Berlin<\/span>
\u00ab First Reaction \u00bb with Lauren Newton and Koho Mori-Newton, Berlin<\/span><\/p>\n

2006 –<\/span>
Dance Pilgrimage \u00ab Kanademai \u00bb started. It appeared so far in Italy, Ireland, France, Germany, Serbia, Poland and Japan.<\/span>
\u00ab love and tears \u00bb with Atsushi Takenouchi, Hiroko Komiya, Jassem Hindi, Christine Sehnaoui and other artists, Paris<\/span><\/p>\n

2005 – 2006<\/span>
Improvisation series \u00ab experiences in a body dancing, no.1 – no.4 \u00bb, PlanB, Tokyo<\/span><\/p>\n

\u00a0<\/p>\n

Other artistic projects – selection<\/span><\/p>\n

2018<\/span>
Curator in the poetry reading project \u00ab \u4eca\u65e5\u306e\u4e16\u754c\u306b\u8033\u3092\u3059\u307e\u3059 (Listen to the world) \u00bb, an evening of Polish-Japanese reading of Czes\u0142aw Mi\u0142osz\u2019s \u201e\u015awiat, poema naiwne (\u4e16\u754c \u30dd\u30a8\u30de\u30fb\u30ca\u30a4\u30f4\u30cd\u3001The World, a na\u00efve poem)\u201d, Gallery Yudo, Tokyo<\/span>
project website: http:\/\/posluchajswiata.com\/tokyo2018\/<\/a><\/span><\/p>\n

2015<\/span>
Curator in the poetry reading project \u00ab Pos\u0142uchaj \u015awiata (Listen to the world) \u00bb, an evening of Polish-Japanese reading of Czes\u0142aw Mi\u0142osz\u2019s poetry \u201e\u015awiat, poema naiwne (The World, a na\u00efve poem)\u201d, Asia and Pacific Museum in Warsaw<\/span>
project website: http:\/\/posluchajswiata.com<\/a><\/span><\/p>\n

2011<\/span>
Artistic director in the interdisciplinary, interactive artistic project \u00ab Poema XXI. \u015awiat Mi\u0142osza wed\u0142ug Rui Ishihara \u00bb (The 21st Poems. The World of Czeslaw Milosz according to Rui Ishihara), The National Museum of Ethnography in Warsaw<\/span>
project website: http:\/\/www.praktycy.org\/milosz\/swiat.swf<\/a><\/span><\/p>\n

\u00a0<\/p>\n

Workshop Leading<\/span><\/p>\n

2018 \u00a0\u00ab Przestrze\u0144 si\u0119! (Open, and fill the space!) \u00bb in\u00a0cooperation with Stanis\u0142aw Truszkowski, Wojciech Je\u017c and Wojciech Urba\u0144ski<\/span><\/p>\n

2015 – 2018\u00a0 Regular dance workshop in Warsaw<\/span><\/p>\n

2015 \u00a0Workshop presentation in 7th International Mime Art Theatre Workshops and Presentations (artistic director: Stefan Niedzia\u0142kowski), Warsaw<\/span><\/p>\n

2011 \u00a0Butoh workshop in 9th Wioska Teatralna (Theatre Village) Festival, W\u0119gajty<\/span><\/p>\n

2009 – 2012 \u00a0Regular dance workshop in Warsaw<\/span><\/p>\n

2006 – 2009 \u00a0Short-term workshops in different cities in Finland, Poland, Switzerland and Japan.<\/span><\/p>\n

\u00a0<\/p>\n

Publications<\/span><\/p>\n

2015 \u00a0Japanese translation of Czes\u0142aw Mi\u0142osz\u2019s \u201cThe World, a na\u00efve poem (\u4e16\u754c \u30dd\u30a8\u30de\u30fb\u30ca\u30a4\u30f4\u30cd)\u201d (Publisher: Minato no Hito, Co-translator: Michiko Tsukada), Japan<\/span><\/p>\n

2010 \u00a0Essay \u201dDuchy ta\u0144cz\u0105ce butoh (Souls, dancing butoh)\u201d Magazine \u201eTeatr\u201d, Poland<\/span><\/p>\n

2008 \u00a0Essay \u201cSignposts on the soles (\u8db3\u88cf\u306e\u9053\u3057\u308b\u3079)\u201d Magazine \u201cIwato No.7\u201d, Japan<\/span><\/p>\n

\u00a0<\/p>\n

Education<\/span><\/p>\n

2004 \u00a0Bachelor of Agriculture, Kyoto University<\/span><\/p>\n\n\n

<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Participation in projects\u00a0– selection(as a dancer\/performer\/choreographer) 2021\u00ab Who are you? – ba…<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"page-template-fullwidth.php","meta":{"jetpack_post_was_ever_published":false},"aioseo_notices":[],"jetpack_sharing_enabled":false,"jetpack_shortlink":"https:\/\/wp.me\/P4KuGR-q","jetpack-related-posts":[{"id":303,"url":"https:\/\/lifesizeuniverse.com\/news\/ulotnychcieni_2011-04-28\/","url_meta":{"origin":26,"position":0},"title":"ulotnych cieni, 2011-04-28","date":"2017\/10\/10","format":false,"excerpt":"ulotnych cieni, Teatr na Woli (Warsaw),\u00a02011-04-28\u2026","rel":"","context":"\u985e\u4f3c\u6295\u7a3f","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lifesizeuniverse.com\/news\/wp-content\/uploads\/2017\/10\/YA4_4391-186x280.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":153,"url":"https:\/\/lifesizeuniverse.com\/news\/lagodna_2011\/","url_meta":{"origin":26,"position":1},"title":"\u0141agodna – \u3084\u3055\u3057\u3044\u5973, 2011","date":"2017\/10\/09","format":false,"excerpt":"\u0141agodna - \u3084\u3055\u3057\u3044\u5973, Teatr Scena Lubelska 30\/32 (Warsa\u2026","rel":"","context":"\u985e\u4f3c\u6295\u7a3f","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lifesizeuniverse.com\/news\/wp-content\/uploads\/2017\/10\/kcc-0409-280x187.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":250,"url":"https:\/\/lifesizeuniverse.com\/news\/by2010\/","url_meta":{"origin":26,"position":2},"title":"By 2010","date":"2017\/10\/09","format":false,"excerpt":"Collection of photos from performances and photo s\u2026","rel":"","context":"\u985e\u4f3c\u6295\u7a3f","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lifesizeuniverse.com\/news\/wp-content\/uploads\/2017\/10\/IMG_0006-187x280.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":210,"url":"https:\/\/lifesizeuniverse.com\/news\/soundinmotion_2011\/","url_meta":{"origin":26,"position":3},"title":"“Sound in Motion” with Flute o’clock, 2011","date":"2017\/10\/09","format":false,"excerpt":"Sound in Motion, The National Ethnographic Museum \u2026","rel":"","context":"\u985e\u4f3c\u6295\u7a3f","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lifesizeuniverse.com\/news\/wp-content\/uploads\/2017\/10\/kcc-4166-280x187.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":118,"url":"https:\/\/lifesizeuniverse.com\/news\/hananoatosaki_2010\/","url_meta":{"origin":26,"position":4},"title":"Hana no Atosaki – \u82b1\u306e\u3042\u3068\u3055\u304d","date":"2017\/10\/09","format":false,"excerpt":"Hana no Atosaki - \u82b1\u306e\u3042\u3068\u3055\u304d, \u00a0Wilan\u00f3w Palace (Warsaw)\u2026","rel":"","context":"\u985e\u4f3c\u6295\u7a3f","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lifesizeuniverse.com\/news\/wp-content\/uploads\/2017\/10\/DSC1651ND300-186x280.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":132,"url":"https:\/\/lifesizeuniverse.com\/news\/mimiosumasu_2010-11\/","url_meta":{"origin":26,"position":5},"title":"mimiosumasu – \u307f\u307f\u3092\u3059\u307e\u3059, 2010-11","date":"2017\/10\/09","format":false,"excerpt":"mimiosumasu - \u307f\u307f\u3092\u3059\u307e\u3059, Sen Pszczo\u0142y (Warsaw), 2010-\u2026","rel":"","context":"\u985e\u4f3c\u6295\u7a3f","img":{"alt_text":"","src":"https:\/\/i0.wp.com\/lifesizeuniverse.com\/news\/wp-content\/uploads\/2017\/10\/kcc-0698-280x187.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/lifesizeuniverse.com\/news\/wp-json\/wp\/v2\/pages\/26"}],"collection":[{"href":"https:\/\/lifesizeuniverse.com\/news\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/lifesizeuniverse.com\/news\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/lifesizeuniverse.com\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/lifesizeuniverse.com\/news\/wp-json\/wp\/v2\/comments?post=26"}],"version-history":[{"count":4,"href":"https:\/\/lifesizeuniverse.com\/news\/wp-json\/wp\/v2\/pages\/26\/revisions"}],"predecessor-version":[{"id":1321,"href":"https:\/\/lifesizeuniverse.com\/news\/wp-json\/wp\/v2\/pages\/26\/revisions\/1321"}],"wp:attachment":[{"href":"https:\/\/lifesizeuniverse.com\/news\/wp-json\/wp\/v2\/media?parent=26"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}